But I'm the one who's drowning
Photographs That Borrow From History To Critique Sexual Politics
Of her intention, Blais states, “The aesthetic/topical dissonance aims to elicit an uneasy response in order to subvert the implicit authority and sanctity of the icon.”
The result confronts and critiques art culture by sitting in an uneasy space between not only imagery, but also mediums– cameras and brushes, forcing us to clearly see the model as the true determinant– a staged powerful variant that has been with us since Caravaggio’s rule, humanizing the myth.
At some point last night I google searched “will i be less sad if i get a spray tan” and “will a spray tan improve my quality of life”
I need a therapist
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